The pop once - and I have my head was not all work hard: this is a very long time ago-not even an aesthetic and political promises of salvation held, the time seems as thought of behind the dusty yellowed issues of prey. Correction. It not only preserves me from such an ugly howlers such as Dieter Gorny and Tim Renner and protects nerves from my feelings of powerlessness that affected me with their chauvinistic demeanor. In the fog of media autumn they are gone. Fortunately ... To positivism, for example, Kodwo Eshun and Mark Terkessidis course it is a pity - I too thought like the mainstream of minorities, of pop as a way of science fiction. So what? As a political tool is not get more out than that everyone can use to pop. And so ends The summit expressed in the multi-purpose hall Sonication of party conferences. Or as cues for vulgar broadcast formats that work with selection by fighting words like "talent" and thus postulate the market economy as the mother of all disciplines.
But
still exist, the moments in high resolution. All known structures culminate on a Tabula Rasa. The listener just shakes head in disbelief too small and is like a child from an unknown phenomenon.
love people: TONETTA is nothing less than a phenomenon that has become an art phenomenon, a fallen out from all the temporal and sexual structures of FIG. Actually could TONETTA the culmination of said Kodwo Eshun and his band More be Brilliant than the Sun . Our own universe, the sounds in themselves and reveling in his aesthetics. A dream come true gender studies find, but here instead of promptly with the first clock and the first few seconds of the video resolution of all sexual and socio-cultural contexts. Nothing about it is tangible. From the visualization and the presence of the art body of the correspondence of the semi-playback of the video, to the inclusion of aesthetics: Everywhere rips off the ground, raises questions that remain unanswered, attractive and threatening. A mythically charged space that caused there to TONETTA. Who is the man behind it? Where does it come from? When he takes the songs and the corresponding videos on? Is there a man behind it? Or TONETTA lives only in this microcosm of the recording room, among all the requisites of the videos?
alone, that would be a precious, rare event of contemporary pop music. The most beautiful for me but here is: It can not be perceived differently than the radical opposition to the social identity of the listeners. Why is TONETTA THE Star queer pop culture not long ago, remains a mystery to me. Because this is so far removed from the same old stick of false beards and unimaginative Discogeblubber many queer bands with their priggish, an educational Attitude. This is a simplicity that is stuck in its origin and finds no other language. TONETTA opened his own variety show, however, that seems to come with imagination and desire, in humor and not least great songs out of joint. There is nothing more than another world, Elysian with a hero.
not only in comics, no, even in pop music, it must disclose it.
Thanks, pop.
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